Difference between revisions of "Anril Pineda Tiatco"

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'''Creative Works'''
 
'''Creative Works'''
  
Atang (2008)
+
''Atang (2008)
 
+
''
 
(Dramaturg)
 
(Dramaturg)
  
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Isang Panaginip na Fili (2008)
+
''Isang Panaginip na Fili (2008)
 
+
''
 
(Actor: Padre Irene)
 
(Actor: Padre Irene)
  
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UAAP 71st Season Opening Ceremony (2008)
+
''UAAP 71st Season Opening Ceremony (2008)
 
+
''
 
(Concept of Scriptwriter)
 
(Concept of Scriptwriter)
  
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Orosman at Zafira (2008)
+
''Orosman at Zafira (2008)
 
+
''
 
(Dramaturg and Deviser)
 
(Dramaturg and Deviser)
  
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'''Conferences/Published Papers'''
 
'''Conferences/Published Papers'''
  
30th Anthropological Association in the Philippines Annual Conference
+
''30th Anthropological Association in the Philippines Annual Conference''
  
 
Paper Presenter: “Post-script to UP Komedya Fiesta: Prelude to a National Theatre and Heritage Discourse”
 
Paper Presenter: “Post-script to UP Komedya Fiesta: Prelude to a National Theatre and Heritage Discourse”
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51st International Federation for Theatre Research Conference
+
''51st International Federation for Theatre Research Conference
 
+
''
 
Paper Presenter: “Apalit’s Fluvial Parade, Cutud’s Ritual of Nailing on the Cross and Calabanga’s Funeral of the Dead Christ: Theatres of Ambivalences in Three Philippine Catholic Communities”
 
Paper Presenter: “Apalit’s Fluvial Parade, Cutud’s Ritual of Nailing on the Cross and Calabanga’s Funeral of the Dead Christ: Theatres of Ambivalences in Three Philippine Catholic Communities”
  
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Postscript to UP KOMEDYA FIESTA 2008: Preliminary Insights on Komedya, National Theatre and Heritage
+
''Postscript to UP KOMEDYA FIESTA 2008: Preliminary Insights on Komedya, National Theatre and Heritage
 
+
''
 
(in press)Asian Theatre Journal, Volume 26, Number 1 (Spring 2009 Issue)
 
(in press)Asian Theatre Journal, Volume 26, Number 1 (Spring 2009 Issue)
  
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Celebrating in the Waters and Frolicking with St. Peter: Performance of a Catholic Narrative and a Folk Narrative in a Kapampangan Community
+
''Celebrating in the Waters and Frolicking with St. Peter: Performance of a Catholic Narrative and a Folk Narrative in a Kapampangan Community
 
+
''
 
Philippine Humanities Review, Volume 10 (2008)
 
Philippine Humanities Review, Volume 10 (2008)
  
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Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering
+
''Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering
 
+
''
 
Lead Author (with Prof. Amihan Bonifacio-Ramolete)
 
Lead Author (with Prof. Amihan Bonifacio-Ramolete)
  
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'''Awards and Recognitions'''
 
'''Awards and Recognitions'''
  
UP Foundation Professorial Chair Award (2008)
+
''UP Foundation Professorial Chair Award (2008)''
  
 
For the research “Libad ng Apung Iru and Pamamaku king Krus: The Ambiguity of Catholicism in Two Kapampangang Cultural Spectacles”
 
For the research “Libad ng Apung Iru and Pamamaku king Krus: The Ambiguity of Catholicism in Two Kapampangang Cultural Spectacles”
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International Publication Award (2008)
+
''International Publication Award (2008)
 
+
''
 
For the article “Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering”
 
For the article “Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering”
  
 
University of the Philippines System
 
University of the Philippines System

Revision as of 00:39, 26 February 2009

PhD Anthropology (Cultural Anthropology/Performance Studies)
College of Social Science and Philosophy, UP Diliman (ongoing)
MA Theatre Arts
UP Diliman, 2006


Courses handled


Undergraduate Theatre 11 (Dula at Palabas)

Theatre 12 (Introduction to the Art and Craft of Acting)

Theatre 160 (History of the Theatre)

Theatre 161 (Contemporary Philippine Theatre)

Theatre 162 (Asian Theatre and Drama)

Theatre 163 (Creative Theatre for Children and the Youth)

Theatre 171 (Playwriting)

Speech 199 (Theatre Research)

Theatre 200 (Undergraduate Thesis)


Graduate

Theatre 291 (Theatre Seminar: Readings in Philippine Performance Studies)


Creative Works

Atang (2008) (Dramaturg)

Dulaang UP

Direction: Alexander Cortez

Devise: Floy Quintos


Isang Panaginip na Fili (2008) (Actor: Padre Irene)

Dulaang UP

Direction and Playwright: Floy Quintos


UAAP 71st Season Opening Ceremony (2008) (Concept of Scriptwriter)

Araneta Coliseum

University of the Philippines (Host)


Orosman at Zafira (2008) (Dramaturg and Deviser)

Dulaang UP

Direction: Dexter Santos



Conferences/Published Papers

30th Anthropological Association in the Philippines Annual Conference

Paper Presenter: “Post-script to UP Komedya Fiesta: Prelude to a National Theatre and Heritage Discourse”

City of San Fernando, Pampanga

October 23 – 25, 2008


51st International Federation for Theatre Research Conference Paper Presenter: “Apalit’s Fluvial Parade, Cutud’s Ritual of Nailing on the Cross and Calabanga’s Funeral of the Dead Christ: Theatres of Ambivalences in Three Philippine Catholic Communities”

Chung-Ang University, Seoul, South Korea

July 14 – 19, 2008


Postscript to UP KOMEDYA FIESTA 2008: Preliminary Insights on Komedya, National Theatre and Heritage (in press)Asian Theatre Journal, Volume 26, Number 1 (Spring 2009 Issue)

University of Hawaii


Celebrating in the Waters and Frolicking with St. Peter: Performance of a Catholic Narrative and a Folk Narrative in a Kapampangan Community Philippine Humanities Review, Volume 10 (2008)

(Special Issue on Philippine Performance Studies)

University of the Philippines


Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering Lead Author (with Prof. Amihan Bonifacio-Ramolete)

Asian Theatre Journal, Volume 25, Number 1 (Spring 2008 Issue)

University of Hawaii



Awards and Recognitions

UP Foundation Professorial Chair Award (2008)

For the research “Libad ng Apung Iru and Pamamaku king Krus: The Ambiguity of Catholicism in Two Kapampangang Cultural Spectacles”

University of the Philippines System


International Publication Award (2008) For the article “Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering”

University of the Philippines System